Journée d’études internationale organisée par Mikko Saira (University of Turku, Finland) et Thierry Favier (Université de Poitiers, Criham, IUF), avec la collaboration de Katharine Ellis (Cambridge University).

Lundi 4 mai 2026 – 9h / 18h

En présentiel à Poitiers et en visioconférence (sur inscription)
Pavillon Universitaire Musique et Danse
15, rue Guillaume VII le Troubadour – Bât E08 – Salle 2 (rez-de-jardin)

 

 

Matinée

• 9:00 – Accueil

• 9:30 – Thierry Favier
Introduction

 

9:45 – 11:30

Mikko Saira (University of Turku)
Musical life in Turku and the circulation of music 1790–1840: Challenging previous research and methods
Respondent: Paul Ailleret

Mateusz Pawel Kawa (Universität Mozarteum Salzburg)
“So Many Asses and So many Virtuosi”: Urban Musical Sociability in Correspondence of Chopin and his circle
Respondent : Damián Martin Gil

Paul Ailleret (Université de Poitiers)
A survey of concerts in the capital: Venues for symphony concerts in Paris in the late 18th century
Respondent : Mary Kirchdorfer

• 11:30 – Pause

 

11h:45 – 13:00

Clare Beesley (Utrecht University)
Performing childhood: examining the performance of child-adult relationships in the repertoire of the British eighteenth-century prodigy Marianne Davies (c1743/4-buried 1814) and the music and poetry her performances inspired
Respondent : Jan Temme de Vries

Nadav Ovadia (CNSMD Lyon, HfMT Hamburg)
The Pantaleon Beyond the Court: George Noëlli’s Career Pursuits and Networks in the Beau Monde
Respondent : Mateusz Pawel Kawa

 

Après-midi

14:30 – 16:15

Mary Kirchdorfer (Universität Wien)
Uncovering the Roles of Women in Viennese Concert Life 1780–1830
Respondent : Clare Beesley

Jan Temme de Vries (Universität Basel)
Scientific Revolution and Divine Revelation: The Theological Use of the Night Sky in Devotional Music in Copenhagen, 1770–1799
Respondent : Peter Koch Gehlshøj

Damián Martin Gil (Université de Poitiers, Conservatorio Profesional de Cáceres) : The guitar in the city: the example of Paris at the end of the Ancien Régime
Respondent : Peter Kohanski

• 16:15 – Pause

 

16:30 – 17:45

Peter Koch Gehlshøj (University of Copenhagen)
“Not Merely for Pleasure”: Satire and Censorship in 18th-Century Copenhagen’s Music Theatre
Respondent : Mikko Saira

Peter Kohanski (University of North Texas)
Musical Sociability and Anglo-American Masculinity in Colonial Philadelphia
Respondent : Nadav Ovadia

• 17:45 : Katharine Ellis (Cambridge University)
Conclusions

 

Illustration : Daumier, La Chanteuse de rue, coll. part.

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