Damián Martín Gil, Erik Stenstadvold. Eighteenth century precedents: The Role of Paris. Page, Christopher.; Sparks, Paul.; Westbrook, James. The Great Vogue for the Guitar in Western Europe: 1800-1840, Boydell & Brewer, pp.13-27, 2023, 9781837650330. ⟨hal-03780920⟩
Damián Martín Gil. La partida de matrimonio de Fernando Sor (Granada, 1812). Roseta, 2022, 16, pp.42-54. ⟨hal-03516911⟩
Damián Martín Gil. A Bibliographical Study of Periodicals for Voice and Guitar in Paris, 1758-1803. Revue de musicologie, In press, 107 (2), pp.247-286. ⟨hal-03516848⟩
Damián Martín Gil. “The famous Vidal”: New Light on the Life and Works of a Guitarist in Late Eighteenth-Century France. Eighteenth-Century Music, 2021, 18 (1), pp.123-149. ⟨10.1017/S1478570620000470⟩. ⟨hal-03516502⟩
Damián Martín Gil. Unravelling The Discussion entre les Carulistes et les Molinistes (Paris, 1828). Soundboard Scholar, 2020, 6, pp.11-21. ⟨hal-03516872⟩
Damián Martín Gil. The Guitarist behind the Guitaromanie: Charles de Marescot. Soundboard Scholar, 2018, 4, pp.4-16. ⟨hal-03516919⟩
Damián Martín Gil. L'insegnamento dei Passaggi Détaché nei Metodi Pubblicati tra il 1750 e il 1850. Il fronimo, 2012, 158, pp.27-44. ⟨hal-03516956⟩
Damián Martín Gil. El papel de Les Soirées Espagnoles (Paris, 1776-1783) del compositor español Vidal en desarrollo de la música solista para guitarra en París. X Congreso de la Sociedad Española de Musicología, Nov 2021, Baeza, España. ⟨hal-03546509⟩
Damián Martín Gil. ”Surtout parmi les dames”: Women and Guitar in Paris between 1750 and 1804. Congrès Biennal de la Société Française de Musicologie, Oct 2021, Lyon, France. ⟨hal-03546508⟩
Damián Martín Gil. B.D.C.: The anonymous author of a method for guitar (Paris, 1773), Not so anonymus anymore?. Consortium for Guitar Research, Sep 2021, Cambridge, United Kingdom. ⟨hal-03546506⟩
Damián Martín Gil. Giacomo or Giuseppe Bernardo: Which Brother Should Be Acknowledged as the Famous Guitarist “Merchi” in the Entry of The New Grove Dictionary?. 57th Royal Musical Association Annual Conference,, Sep 2021, Newcastle, United Kingdom. ⟨hal-03546507⟩
Damián Martín Gil. La guitare à Paris entre 1750 et 1810: Une histoire socio-culturelle. Journées d’études ‘La Parole: Outil humain, enjeu social, objet d’étude, Mar 2021, Poitiers, France. ⟨hal-03546505⟩
Damián Martín Gil. The True Identity of Don ***. A Mystery Solved. Consortium for Guitar Research, Jan 2021, Cambridge, United Kingdom. ⟨hal-03546503⟩
Damián Martín Gil. Gender and the Guitar in Paris, 1750-1804. Plenary Conference of the Irish Musicological Society, Oct 2020, Dublin, Ireland. ⟨hal-03546501⟩
Damián Martín Gil. The Guitarist and Violinist D. Joly (Lille, 1819). Cohort Meeting of the Consortium for Guitar Research, Apr 2019, Cambridge, United Kingdom. ⟨hal-03546500⟩
Damián Martín Gil. M. Vidal, le célèbre artiste espagnol. 7th Lake Konstanz Guitar Research Meeting, Mar 2019, Hemmenhofen, Allemagne. ⟨hal-03546498⟩
Damián Martín Gil. Discussion entre les carulistes et les molinistes (Paris, 1829). Cohort Meeting of the Consortium for Guitar Research, Apr 2017, Cambridge, Royaume-Uni. ⟨hal-03544886⟩
